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A poignant and witty novel about a man who has to learn about life and love the hard way Harry Silver has it all. A successful job in TV, a gorgeous wife, a lovely child. And in one moment of madness, he chucks it all away. Man and Boy is the story of how he comes to terms with his life and achieves a degree of self-respect, bringing up his son alone and, gradually, learning what words like love and family really mean. As millions of women have discovered before him, that is not as simple as it may have seemed. Man and Boy is by turns funny, sharp, warm, and heart-wrenching. It is a brilliantly engaging novel from one of the most gifted and influential commentators writing today.

• Sales Rank: #12494682 in Books
• Published on: 1999
• Number of items: 1
• Binding: Paperback
• 344 pages

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[C575.Ebook] Free PDF The Further Adventures Of Hedda Gabler, by Jeff Whitty

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Book by Jeff Whitty

• Sales Rank: #1660343 in Books
• Brand: Brand: Dramatists Play Service, Inc.
• Published on: 2008-10-14
• Original language: English
• Dimensions: 7.50" h x 5.25" w x .25" l, .20 pounds
• Binding: Paperback
• 72 pages

Features

• Used Book in Good Condition

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1 of 1 people found the following review helpful.
A witty play by Mr. Whitty
By Oakleaf
This is a funny romp with many of drama's famous characters, who live in an alternate universe when they're not on stage. Written by one of the creators of Avenue Q, it stars Hedda Gabler (waking up bewildered after her offstage suicide to find she has Mammy from Gone With the Wind for her maid, and Medea as a close neighbor), who learns she's condemned to keep repeating her tragic story whenever the play named for her is performed. Not one to settle for intolerable living conditions, Hedda determines to set out to change her destiny, and Mammy decides to come too. Hilarious adventures follow, including encounters with other characters from theater and literature, producing a sly meditation on the creative process. I had the good fortune to see this play produced at the Ashland Shakespeare Festival, and I hope it will taken up by other theater companies looking for a worthy project.

1 of 1 people found the following review helpful.
Parody to the highest order: hilarious!
By Mrs. J
I don't suppose anyone needs to be familiar with the original, but it certainly adds to the complete irreverentness and hilarity. "Oh, Hedda!" The material seems to move from one random scene to another, but no, it's Hedda, trying to find a way out, for good! Dante taking Hedda on a Borat tour into hell. It all comes together at the end in a satisfying way. Strong characterizations possible. Captures the readers/audiences attention and doesn't stop.

0 of 0 people found the following review helpful.
one of the better new works of comedy written lately
By thisMortalCoyle
brilliantly witty and beautifully crafted; the work of a true comic artist! I LOVE THIS PLAY. Every high school or undergrad program should add it to their drama canon as a sidebar to Ibsen studies

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[E130.Ebook] Ebook Dismembering the Whole: Composition and Purpose of Judges 19-21 (Ancient Israel and Its Literature), by Cynthia Edenburg

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A fresh literary analysis of political polemic in the Bible

The Book of Judges ends with a bizarre narrative of sex and violence that starts with a domestic tiff and ends with the decimation of a tribe that is restored by means of abduction and rape. Cynthia Edenburg applies a fresh literary analysis, recent understandings of historical linguistics, and historical geography in her exploration of the origin of the anti-Benjamin polemic found in Judges 19-21, the growth and provenance of the book of Judges, and the shape of the Deuteronomistic History. Her study exposes how Judges 19-21 function as political polemic reflecting not the pre-monarchic period but instead the historical realities of the settlement of Benjamin during the Babylonian and Persian period.

Features:

• Methodological discussions that open each chapter
• Charts and tables
• Engagement with current research produced by scholars from around the world

• Sales Rank: #8472711 in Books
• Published on: 2016-04-29
• Original language: English
• Dimensions: 9.00" h x 1.13" w x 6.00" l,
• Binding: Hardcover
• 400 pages

About the Author

Cynthia Edenburg teaches Hebrew Bible in the Department of History, Philosophy and Jewish Studies at The Open University of Israel. She is the co-editor of Is Samuel among the Deuteronomists? Current Views on the Place of Samuel in a Deuteronomistic History (Society of Biblical Literature).

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[L544.Ebook] Get Free Ebook Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, by Richard Hollis

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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

• Sales Rank: #1150461 in Books
• Published on: 2006-04-28
• Original language: English
• Number of items: 1
• Dimensions: 1.10" h x 8.60" w x 10.90" l, 3.13 pounds
• Binding: Hardcover
• 272 pages

About the Author
Richard Hollis is a graphic designer and scholar of design. His previous books include Graphic Design: A Concise History (2002).

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16 of 18 people found the following review helpful.
Tineline confusion
By KenH
Hollis's book, while extensive in its documentation and admirable in its visual organization of the Swiss developments, comes to several conclusions which should be questioned. The first is the disproportionate and misguided prominence afforded Theo Ballmer as a prime influence stemming from his experience at the Bauhaus. Whatever Ballmer's influence as a poster designer in the 20s was, he had gotten his essential training in the Basel school, which underwent its own ongoing and largely independent modernist development, prior to Ballmer's very brief time at the Bauhaus. The Bauhaus influence is deemed minor by the emerging Basel school, and Ballmer's later influence in teaching photography and lettering has to be considered a lesser one.

Significant also is the confusion in reporting influences in development of the cutting edge Geigy Pharmaceuticals graphics program where the influences of Armin Hofmann and Emil Ruder as educators of the leading Geigy designers are missing. While this is inferred on page 162 in the statement that "the Geigy style originated in the teaching at the Allgemeine Gewerbeschule," the key influences in Basel--Hofmann and Ruder--are not mentioned.

Similarly, Hollis attributes Müller-Brockman's "conversion" to the influences of Lohse and Vivarelli, the evidence being the concert hall posters of 1951 and 52. While this is definitely a move in that direction from an earlier illustrative style, the most convincing change, and the style by which Müller-Brockman is widely known, emerged on the hiring of graduates of the Basel school under Armin Hofmann in 1955. This means that Hofmann and Ruder pre-date Müller-Brockman's mature style instead of being placed as p. 214 as a separate and later development--and not as a precursor feeding the larger Swiss development from a more humanistic perspective than the more constructivist direction of the Zürich school. One can argue about which contributed most to the international prominence of Swiss design, but Hollis's own statement p. 215 regarding the world-wide significance of Hofmann's Graphic Design Manual, Principles and Practice, on education is telling. Müller-Brockman's more objective approach was probably more influential in the world of corporate graphics.

Hollis betrays a bias, perhaps, in his strange analysis of Hofmann's Tell poster and omits such key poster achievements as the "Switzerland in the Roman Era" (1957). It is unfortunate that Hollis did not interview Armin and Dorothea Hofmann. They are few of the remaining key figures from the era of Hollis's investigation.

5 of 5 people found the following review helpful.
To go boldly with Helvetica
By Robin
The 'Swiss style' comes alive in this fascinating and very comprehensive study. If you design for print and ever wondered how some everyday graphic principles and typefaces originated the answer is in these pages. The story begins in twenties central Europe with a merging of modern art, the Bauhaus, Russian constructivism, craft printing techniques, photography and strong cultural attitudes in German speaking Zurich. All of these influences produced a graphic language of simplicity and directness that spread across Switzerland and one would expect nothing less from a country associated with order and precision.

Interesting as the text is I was particularly impressed with the several hundred illustrations (all with extensive captions) and as this is a book about a visual style and basically a printed one the choice of posters, examples of typography and many spreads from brochures, magazines, books all work well to complement the words.

I was interested in the several pages devoted to the magazine 'Neue Grafik' (New Graphic Design) which was the flagship publication of the Zurich modernists. It only ran for seventeen issues (from 1958 to a double issue seventeen and eighteen in 1965) but was really the only opportunity for designers outside Switzerland to see what was going on. Strangely, despite the design aiming for clarity, reading the issues was a bit of a chore. Three languages were set in each edition in one typeface and one size with paragraphs stretching sometimes to hundreds of words with no par indents or line space. However each spread looked fresh and lively thanks to the publication's grid.

I think it is worth commenting on the book's production. Designed by the author it uses a two column grid but nicely many pages just have one column of text and the space for the other text column is divided into two and used for illustrations and captions. The many variations of these column elements really make the pages sparkle and I think many publication designers could learn something by studying how the text and graphics blend together throughout the book.

Richard Hollis is to be congratulated on writing and designing a book that will surely be regarded as the definitive study about the origins of the Swiss Style.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

2 of 2 people found the following review helpful.
Un libro recomendable para amantes del diseño gráfico
By Juanjo Rogado Albert
Una magnífica edición. Muchas imágenes, alguna un poco pequeña - para el tipo de imagen, se echa en falta quizá alguna imagen de detalle o incluso un encarte -, pero en líneas generales muy buena selección, y cantidad de imágenes.

Los contenidos interesantes, por tratarse de una generación histórica en el diseño gráfico universal. Es un libro muy recomendable.

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Through clear and comprehensive grammar explanations, extensive practice exercises, and lively communicative activities, Grammar Dimensions provides students with the language skills they need to communicate accurately, meaningfully, and appropriately.

• Sales Rank: #144343 in Books
• Brand: Brand: Thomson Heinle
• Published on: 2007-02-07
• Original language: English
• Number of items: 1
• Dimensions: 9.97" h x .83" w x 8.02" l, 1.89 pounds
• Binding: Paperback
• 420 pages

Features

• Used Book in Good Condition

Review
1. The Verb Be 2. The Verb Be 3. The Verb Be 4. Nouns 5. The Verb Have 6. This/That/These/Those and Possessives 7. This Is/There Are, A/An versus The 8. Simple Present Tense 9. Simple Present Tense 10. Imperatives and Preposition of Location 11. Quantifiers 12. Adverbs of Manner 13. Direct and Indirect Objects, Direct and Indirect Object Pronouns 14. Can, Know How To, Be Able To, Connectors: And/But/So/Or 15. Present Progressive Tense 16. Adjective Phrases 17. Past Tense of Be 18. Past Tense 19. Reflexive Pronouns, Reciprocal Pronoun: Each Other 20. Future Time 21. Phrasal Verbs 22. Comparison with Adjectives 23. Comparison with Adverbs 24. Superlatives 25. Factual Conditionals Appendices

About the Author
Diane Larsen-Freeman is Professor Emerita of Education, Professor Emerita of Linguistics, and Former Director of the English Language Institute at the University of Michigan, Ann Arbor. She is also a Distinguished Senior Faculty Fellow at the School for International Training in Brattleboro, Vermont. Dr. Larsen-Freeman has been a conference speaker in over 60 countries of the world and has published over 100 articles in her areas of interest. Her Heinle/Cengage titles include "The Grammar Book: Form, Meaning, and Use for English Language Teachers" (third edition, 2015, co-authored with Marianne Celce-Murcia), "From Grammar to Grammaring" (2003, authored), and the fourth edition of "Grammar Dimensions: Form, Meaning, and Use" (2007, Series Director). From 1980-1985, Dr. Larsen-Freeman was Editor of the journal "Language Learning." In 1997, Dr. Larsen-Freeman was inducted into the Vermont Academy of Arts and Sciences. In 1999, she was selected by ESL Magazine as one of "the ESL pioneers." In 2000, she received the lifetime achievement award from Heinle & Heinle.

Most helpful customer reviews

3 of 3 people found the following review helpful.
It doesn't contain the CD and how to verify correct answers
By Rocio
Because the book doesn't have a CD for listening exercises and I can not check if my answer are correct also.

1 of 1 people found the following review helpful.
Fantastic book. It has a very pleasant 'outlook'
By José Sarto de Almeida Silva
Fantastic book. It has a very pleasant 'outlook', a lot of examples and images. This book was a recommendation of Ontesol.com. It will help me an awful lot in my future classes of English.

1 of 1 people found the following review helpful.
Good
By Joe Thorington
good book to learn grammar. I used it as an ESL student. I would recommend that book to anyone who wants to improve his english

See all 10 customer reviews...

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