Minggu, 16 September 2012

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The End of the Euro: The Uneasy Future of the European Union, by Johan Van Overtveldt

The End of the Euro begins with an overview of the birth of the euro itself. Understanding this history is essential to understand the anomalies built into the project from the beginning. These anomalies form the subject of chapter two, along with how they led to the situation that turned Greece, Portugal, and Spain into euro-destroying economic disaster areas. Chapter three shows how this was not an unforeseeable situation, as Europe’s history is filled with earlier failed attempts to build monetary unions. Chapter four is focused on Germany, by far the most important country within EMU, and why the chances of Germany leaving the union are much higher than is generally assumed. The book concludes with an analysis of what lies in wait for the remains of the monetary union — and for a deeply divided and troubled continent in general. Either the EMU transforms itself fundamentally or it disintegrates.

  • Sales Rank: #578065 in Books
  • Brand: Brand: Agate B2
  • Published on: 2011-11-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.43" h x .95" w x 6.39" l, 1.11 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

Review
PRAISE FOR THE END OF THE EURO:

"An essential title for any reader with investments or interest in financial instruments." —Library Journal

"Johan Van Overtveldt is a consistently insightful and incisive writer and I await each of his books with real anticipation." —Tyler Cowen, The Marginal Revolution blog

"'What is striking is that the question of staying with the euro was really something for nut cases; now it is openly discussed,' says Johan Van Overtveldt, author of a book on the crisis called The End of the Euro. The concern, he says, is that divisions over the common currency in traditionally pro-euro countries like the Netherlands make additional big and painful solutions to the crisis harder to achieve, and an eventual unraveling of the common currency more likely." —Christopher Rhoades, Wall Street Journal

"As the Belgian editor-in-chief of a leading news weekly Johan Van Overtveldt argues in his new book The End of the Euro, 'Before the euro, the German corporate sector had to invest, push productivity, and innovate constantly to compete with companies in countries that regularly devalued their currencies.' The unified currency changed that, much to the satisfaction of Germany's powerful industrial lobby, which still loves the euro for this very reason." —Paul Hockenos, Foreign Policy

"[Johan Van Overtveldt's] analysis of the consequences for the euro project is compelling. I hope politicians will read this book before they try to put the European project back together." —Anil Kashyap, Edward Eagle Brown Professor of Economics and Finance, The University of Chicago Booth School of Business

"With financial crisis sweeping the world, the economic experiment of the Euro has its future in doubt. The End of the Euro: The Uneasy Future of the European Union is a study and discussion from famed economic journalist Johan Van Overtveldt as he discusses the united currency of the European Union, as he argues that the Euro is doomed to fail.... The End of the Euro is an excellent addition to community and college economic studies library collections." —Midwest Book Review

"The End of the Euro is a must for all those wondering whether the euro is heading for abyss or salvation. It succinctly analyzes the causes of the euro crisis...Read history while it is unfolding." —Derk Jan Eppink, member of the Economic Monetary Committee of the European Parliament

"[The Greek protest] is the latest manifestation of widespread social upheaval as Europe braces for the coming winter of discontent. Whether a glorious summer follows – or merely more anger and economic dislocation – is anyone's guess. But if you want to make yours an educated guess, rather than the uninformed speculation that fuels talk radio and tabloid journalism, do yourself a favor and read Johan Van Overtveldt's The End of the Euro: The Uneasy Future of the European Union." —James Brodderick, Bookpleasures.com

"Johan Van Overtveldt’s account is essential reading for anyone wishing to grasp the root causes of the eurozone crisis...Looking ahead, his prediction is as bold as it is pertinent: unless the euro replicates the stability of the deutschmark, it will be Germany that finally turns out the lights on the single currency." —Mats Persson, director of the London-based think tank Open Europe

"A whole generation of Europeans has found comfort in the idea that economic cooperation has overruled the pull of power politics and even some basic laws of economics. This book forcefully squashes that illusion. A must-read!” —Jonathan Holslag, research fellow at the Brussels Free University


PRAISE FOR JOHAN VAN OVERTVELDT'S BERNANKE'S TEST:

"Here at last is a book about the US Federal Reserve that is neither impossibly technical nor populist. The author is obviously extremely familiar with the American financial and political scene." —Samuel Brittan, Financial Times, February 22, 2009

"A timely study that will help readers interpret the headlines, though it offers little comfort to those hoping for a quick solution to the present mess." —Kirkus Reviews, January 15, 2009

"Anyone who wants to understand the role of the Fed in the current crisis will find this an accessible primer." —Publishers Weekly, February 22. 2009

"Johan Van Overtveldt is a consistently insightful and incisive writer and I await each of his books with real anticipation." —Tyler Cowen, The Marginal Revolution blog


PRAISE FOR JOHAN VAN OVERTVELDT'S THE CHICAGO SCHOOL:

"This is an admirably detailed and thoroughly welcome history of a great centre of economic thought." —The Economist, June 23, 2007

"Overtveldt is at his best in his depiction of the ruthless yet stimulating internal culture of the department during these years...Rather than quench debate, Overtveldt argues that for those who could withstand the pressure, the intellectual hazing helped hone their economic analyses." —Kim Phillips-Fein, Chicago Tribune, June 25, 2007

"Its exploration of the interaction between institution and idea is unique and fascinating." —Publishers Weekly, March 26, 2007

"A landmark in the history of economic thought." —Tyler Cowen, The Marginal Revolution blog, June 5, 2007

About the Author
Johan Van Overtveldt is the editor in chief and managing director of Trends, Belgium's leading weekly on business and economics. He has published several books in Dutch and contributes to The Wall Street Journal Europe and other publications. Also the author of Bernanke's Test and The Chicago School, he lives in Brussels.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A Good Euro Primer
By Bandula
The book is a good Euro Primer from a respected European journalist. It certainly educates in easily readable prose of the Euro s origins, its governance weaknesses, regional political rivalries, mainly between Germany and France, and a forecast as to how it all might end. It gives a Europeans' view of all these goings on, which to an American, is illuminating. Recommended.

5 of 5 people found the following review helpful.
Overtveldt: The Inherent Flaws of the EMU will Undo the Euro
By Loves the View
Johan Van Overtveldt makes the very complicated economics of the euro intelligible to the lay person. For this alone, the book deserves 5 stars. He shows how the euro's initial success masked the EMU's underlying problems and how the fiscal crisis brought its inherent weaknesses out from under the table.

He first shows how Europe's "Economic and Monetary Union" was not fully based on economics or monetary policy. Many of the founders were pursuing political goals (a prototype for a more unified Europe, prevention of war, etc.) which forced political, not economic, decisions from the very beginning, a practice which continues today. For instance, entrance requirements were waived or fudged in order to expand the continental footprint; the "no bailout" policies are being waived in order to hold the union together.

Van Overtveldt makes a convincing case that the EMU depends on Germany. There is growing percepion in Germany that the costs of the EMU are out of proportion to its benefits. Soon, he expects, Germany's political leaders will lose patience with the the other member nations, leave the EMU and restore the Deutsche Mark.

The author makes his point up front. He shows how his conclusion is based on the full history of not just the EMU, but other monetary unions. He shows how a currency needs unified policies behind it, not just monetary, but also trade, employment, public finance and banking as well, something a mere currency provider cannot deliver.

4 of 4 people found the following review helpful.
The End of the Euro
By Rolf Dobelli
As the economic crisis in Europe reverberates from country to country, you might wonder how it will all end. Belgian journalist Johan Van Overtveldt says it inevitably will end in tears. The title of his book may give away the author's conclusion, but, before he convinces you of his prognostication, he carefully lays out the reasons for the founding of the European Union and explains how well-intentioned but shortsighted politicians set a plan in motion that was doomed from the start. He spares no one in his scathing assessment of the mishandling of the crisis that began in 2009, but he assigns particular fault to European leaders' inability to put aside nationalist interests for the sake of the union. If you wish to understand more deeply what's happening to the euro, getAbstract recommends reading this sobering but realistic appraisal of Europe's present and future.

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Sabtu, 08 September 2012

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Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

"Beautifully produced. . . . [Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding."—Virginia Quarterly Review

"An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement."—Gary Michael, Bloomsbury Review

"An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians."—Wayne Andersen, Common Knowledge

"Art history of the highest originality and distinction."—Arthur C. Danto, New York Times Book Review

  • Sales Rank: #1413641 in Books
  • Published on: 1998-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.20" w x 7.00" l, 2.89 pounds
  • Binding: Paperback
  • 676 pages

Amazon.com Review
Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review
... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

Most helpful customer reviews

19 of 23 people found the following review helpful.
Returning to the Cardinal Manet Resource: An Appreciation
By Grady Harp
Michael Fried published his magnum opus 'Manet's Modernism: or, The Face of Painting in the 1860s' in 1996, the compendium of three books, actually, that remain the most significant resource of the study of the much maligned painter Edouard Manet. In Manet's time he was essentially hidden in the rise of the more popular Impressionists, garnering criticism form his colleagues and critics alike for works that appeared to mannered, too posed, to unnaturally lighted. But fine author and historian Michael Fried introduces some new ideas about the painter that could just place him in the echelon of the first of the Modernists.

Fried 'suggests' that Manet's paintings were for the most part tableaus created in his studio from professional and non-professional models wearing costumes suggestive of the many allegories and historical events that Manet painted. That fact, in and of itself, does not venture Manet much further thatn say, Caravaggio et al, but it is the interplay between the subjects and the painter (and hence the observer) that Fried alls to our attention. The lighting of his paintings seem to have its source from the front as opposed to the back lighting or streams of side lighting usually chosen by other painters. And to make the controversy even more interesting, Fried suggests that this studio technique coupled with various observances of his models' features (eg. barefeet that suggest having worn contemporary type shoes) may - and the important word is 'may' - represent the uses of photography as the tool Manet used! Horrors! you say? But then by the time of the painting period of the 1860s that Fried is exploring, photography was well known and fairly widely used as a means of documenting history, battles, families etc. So why should an artist of Manet's importance not include this new tool in his painting paraphernalia?

It is an interesting concept and one that in today's widely used techniques among artists of not only using photographs to reference 'sittings' for later solo studio work but also to include photography in the canvases (witness Rauschenberg, etc) makes complete sense. Gone are the prejudices against photography as not being 'pure'. And it just may be that Manet, if he indeed used photographs in his painting preparation, is more important in the overall history of painting advancement than he has been regarded! A fascinating book (even at 676 pages) and a fine addition to the library. Grady Harp, January 07

5 of 5 people found the following review helpful.
History versus Criticism
By Conrad J. Obregon
It has been said that images of Edouard Manet marked the beginning of modern painting. The great art critic and art historian Michael Fried explores the work of Manet and several contemporaries.

The book opens with the republication of an earlier article by Fried in which he suggested that the sources of many of Manet's important works were in the art of earlier times and cultures and has a second chapter aimed at refuting the arguments against his thesis by other critics and historians. Fried concludes that Manet was trying to create some kind of universal art. To do so he refers to earlier pictures by artists from Rembrandt to Watteau which he maintains show the connections and derivations. In most case the similarity was usually as to the posing of certain figures in both Manet's and the earlier works. While quite interesting, I was unconvinced since there was no evidence directly from Manet of his intentions. Moreover, it seemed to me that if one looked enough through the bodies of works of the earlier artists, one would be bound to find similar poses.

In the third chapter, the author addresses many of Manet's contemporaries, including Millet, Fantin-Latour, Legros and Whistler. In this examination, Fried pays particular attention to a concern he has previously addressed, namely the opposition between absorption and theatricality. (To oversimplify, in images characterized by absorption, the subject appears not to be aware of his subjectness, while theatricality shows an awareness of the viewer.) In exploring the issue, Fried discusses the reactions of art critics of the time to the work of the artists, particularly their appraisal of the value of the images based upon their place on the absorption/theatricality continuum. The fourth chapter deals in the same way with Manet.

The fifth chapter is a strange one that deals primarily with self-portraits and the effect of the artist viewing himself in a mirror. There is a coda appended in which Fried summarizes what has gone before, and concludes that he is unable to have any final word on what Manet's goals were with respect to absorption and theatricality. There are several appendices in French and English with the comments of critics of the time and 168 pages of notes.

Fried is both a critic and historian, and this book illustrates the distinction. He is concerned about the history of the art without drawing conclusions as to the quality of the work of the artists, and other than describing technique, gives us little clue as to how to appreciate the works. Indeed, I sometimes felt that he didn't particularly care for the work of Manet and his contemporaries. For those who believe that art is a way to understand the culture and times in which the art is created this book will be interesting. On the other hand those who believe that the purpose of art is to transform our vision of the world will find less help in using Manet as an agent of transformation.

0 of 1 people found the following review helpful.
If you want to understand the claim that, in ...
By Gordon G. Young
If you want to understand the claim that, in some senses, Manet was the first modernist painter, you must read this book. Note: it is complex, but well worth it.

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  • Binding: Paperback

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Entrepreneurial Edge Small Business Toolkit, by Tiffany McVeety

A Practical Handbook for Entrepreneurs. There are over 100 guides in the Small Business Toolkit to take you from idea to launch. Tools for ideation help you get focused. Business model design tools so you can test feasibility. Learn to write the single page business plan your banker wants to see. Connect with customers with a customer value proposition. Find funding with the perfect pitch. Tools for entrepreneurs.

  • Sales Rank: #2191063 in Books
  • Published on: 2012-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .94" w x 8.00" l, 1.90 pounds
  • Binding: Paperback
  • 416 pages

About the Author
Tiffany McVeety teaches entrepreneurs the rules of the game so they can play. Her books, certificate programs, and startup solutions are your guide on the side and lead you on your path to entrepreneurial success. Tiffany McVeety helps you uncover opportunity, discover possibility, determine your "What's Next?" Tiffany served as director of an SBA-funded Women’s Business Center serving NW Washington, and is founding director of GROW Washington, the premier product-focused business incubator. She hosted nationally recognized radio show BizLine and her business column – Entrepreneurial Edge – was syndicated by Business Pulse. Tiffany was the first employee of TeraBeam Networks (NASDAQ:TRBM) and has worked with other visionary leaders. She enjoys sailing in the sunshine with her husband Mark.

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1 of 1 people found the following review helpful.
Excellent primer for someone considering starting a small business
By S. Lee
An Excellent primer for someone considering starting a small business.

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Faithful and handsome, the Englishman Belvile is in love with the Italian lady Florinda, who is betrothed to another. Willmore, the rover, is in love with Hellena, sister of Florinda and destined for the convent. And Angellica Bianca, a courtesan, is in love with Willmore. Against the backdrop of Naples during Carnival time, this varied cast of characters pursue life, honour, and pleasure in this comedic drama.

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  • Sales Rank: #185721 in eBooks
  • Published on: 2014-10-14
  • Released on: 2014-10-14
  • Format: Kindle eBook

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By Stephanie
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  • Binding: Hardcover

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