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Global Practices and Training in Applied Sport, Exercise, and Performance Psychology offers case analysis as a vehicle to address issues and experiences in the application of sport, exercise, and performance psychology (SEPP) and the supervision/training of individuals to become professionals in the field. A follow-up to Becoming a Sport, Exercise, and Performance Psychology Professional (2014), this book features a discussion of real-world case examples which highlight various aspects of professional practice as well as supervision and training. Professionals from around the world, including the United States and Canada, Europe, Asia, Africa, and Australia share diverse experiences, providing a uniquely in-depth, global perspective.

The case studies contained in the book were selected to provide insight into specific elements of applied practice and supervision/training through a global lens as well as demonstrate the value of incorporating case analysis and reflection into one’s training and continued professional development. Case analysis is an essential part of learning and instruction. Beyond educating the reader about theories and research on related topics in the field, case analysis allows for more complex levels of learning, including analysis, synthesis, and evaluation of diverse scenarios. In Part I of this book, the cases focus on applied SEPP practice; Part II is comprised of cases that focus on training and supervision.

This book is essential reading for graduate students and neophyte professionals in the field for whom it is critical to learn how to effectively apply knowledge to real-world sport, exercise, and performance psychology scenarios. In addition, the book is a useful resource for seasoned and expert practitioners and supervisors who can use case analysis as a means of continuing their professional development.

• Sales Rank: #4818122 in Books
• Published on: 2016-05-19
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 1.00" w x 6.90" l, .0 pounds
• Binding: Paperback
• 462 pages

About the Author

J. Gualberto Cremades, Ed.D., Ph.D., CC-AASP, is a Professor in the Department of Sport and Exercise Sciences at Barry University in Miami, Florida.

Lauren S. Tashman, Ph.D., CC-AASP, is an Assistant Professor of Sport, Exercise, and Performance Psychology in the Department of Sport and Exercise Sciences at Barry University in Miami, Florida.

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• Sales Rank: #9143487 in Books
• Published on: 2000-01-04
• Original language: French
• Number of items: 1
• Dimensions: 1.10" h x 5.55" w x 7.80" l,
• Binding: Hardcover

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The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made.

Future Noir is the story of that triumph.

The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry.

A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.

• Sales Rank: #3430373 in Books
• Published on: 1997-02-10
• Format: Import
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 464 pages

About the Author

Paul M. Sammon's distinctive career can best be described by the film industry expression "hyphenate."

As a writer, Sammon has published numerous articles, short stories and books. His many film journalism pieces have seen print in The American Cinematographer, Cahiers du Cinema, The Los Angeles Times, Omni, Cinefex, and Cinefantastique. Sammon's fiction has appeared in Peter Straub's Ghosts (1995), and he recently edited both the 1994 "dead Elvis" anthology The King Is Dead plus the "no limits" anthologies Splatterpunks: Extreme Horror and Splatterpunks II: Over the Edge (1995).

But Paul M. Sammon does not only write about movies--he works in them as well. He first entered the industry as a publicist in the late 1970s, before moving on as a second-unit director, special effects coordinator, still photographer, electronic press kit producer, and Vice President of Special Promotions. Some of the scores of motion pictures on which Sammon has labored include RoboCop, Platoon, Blue Velvet, Conan the Barbarian, and The Silence of the Lambs.

By the late 1980s, Sammon was working in Japanese television, where he coproduced popular entertainment programs like Hello! Movies for the TV Asahi network. By the 1990s, Sammon had served as Computer Graphics Supervisor for RoboCop 2; he recently was Digital and Optical Effects Supervisor for 1995's XTRO: Watch the Skies.

Despite this background, however, Sammon still likes nothing better than sitting down with a good movie. And Blade Runner remains one of his favorite films.

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0 of 0 people found the following review helpful.
The ultimate background book for any Blade Runner fan
By Whitt Patrick Pond
(Note: this review is of the 2007 Orion edition, updated and revised for the 25th anniversary of the release of the film)

Paul M. Sammon's Future Noir: The Making of Blade Runner is not merely a must-have book for any fan of the film - it is _the_ must-have book, both for Blade Runner fans and for anyone interested in thorough and quite readable account of how a film comes to be made and the incredible number of things that influence the evolution of a film as it goes from original idea to finished product.

Future Noir is clearly a labor of love for Sammon, who started following the project from its early inception and has continued to follow it through its evolution and ultimate release - and its later re-release and multiple revised cuts - and the long-term impact it has had on the scifi film genre. First published in 1996 - some fourteen years after the film's original release - he has gone back and updated it to coincide with the film's 25th anniversary and the release of Ridley Scott's Blade Runner: The Final Cut which is supposedly the director's ultimate and last word on the film. The revised edition of the book does in fact contain a great deal of new material which makes it worth finding and reading over the original edition.

In reading Future Noir, one quickly becomes aware of just how thorough Sammon has been, having interviewed seemingly _everyone_ who had any involvement in the making of the film, from Philip K. Dick, the author of Do Androids Dream of Electric Sheep?, the novel on which Blade Runner was based, to Charles Lauzirika, the DVD producer who was instrumental not only in the production of the Special Edition DVD set for the Final Cut of the film but also in locating an enormous trove of "lost" film from the original production without which the Final Cut would never have happened. And in between of course are quotes from extensive interviews with director Ridley Scott; screenwriters Hampton Fancher and David Peoples; _all_ of the actors, from the major ones (Harrison Ford, Sean Young, Rutger Hauer, Darryl Hannah, Brion James, Joanna Cassidy, Edward James Olmos, William Sanderson, Joe Turkel) to the minor ones (M. Emmet Walsh, James Hong, Hy Pike, Morgan Paull and others), and dozens upon dozens of people involved in the more technical aspects of the film.

Sammon's prose is both wonderfully descriptive and engaging, as can be seen in this bit on what makes Blade Runner so significant as a film:

"Blade Runner presents one of the most elaborately visualized fictional environments ever constructed for an American film; each frame is bursting with an obsessive accretion of detail. Still, it's not a pretty sight. Ridley Scott's twenty-first century is a decayed, jaded, mutated place, a cheerless landscape whose meager humanity is being ground down by the microchipped jackboot of a ruthless technological zeitgeist. Its mean streets teem with hundreds of oddly dressed citizens (mostly Asians, some punks, street gangs, Hare Krishnas, and the ever-present police). All scurrying ratlike through concrete canyons whose confines are constantly bombarded by ubiquitous neon advertising, by the blare of unctuous announcers hawking pristine 'Off-world colonies,' from huge, insanely graphic-heavy blimps, and by the sodden, perpetual downpour of a numbing acid rain.
--It is exactly this deluge of details -- the striking costumes, the fantastic flying cars, the atmospheric ethnicity, the moody music, the lavish, lived-in sets -- which makes Blade Runner such addictive eye-candy. And it is to this bewitching visual surface which most viewers repeatedly return. Like its industrial counterparts in the worlds of high fashion and architecture, Blade Runner is a form of ultrasophisticated 'designer cinema', one whose astonishingly complex visual field has, despite a subsequent decade's worth of futuristic/alternate world spectaculars like Time Burton's Batman tilogy or Judge Dredd, remained the high-water mark against which all other big-buget SF entertainments are measured."

In addition to Sammon's narrative attention to detail, Future Noir is also lavishly illustrated with hundreds of production shots taken during the making of the film giving the reader an intimate feeling of what it must have been like to witness the making of Blade Runner.

My only quibble with the book (at least the 2007 edition that I read) is that it lacks an index. It's still a great read, but the lack of an index makes it hard to look up particular points of interest if you're trying to do research or answer a specific question.

Highly, highly recommended for anyone with an interest in Blade Runner as a film or in how the film-making industry works in general.

0 of 0 people found the following review helpful.
Book to film study
By Drew
This book thoroughly reviews all aspects of the movie. From the conceptualizing the book to film all the way through the process of making the movie. A lot of good insight. As other reviews have stated, it is very indepth and has a lot of content that many people will not care about. However, that is easy to skip over if it gets boring.

If you enjoyed the book and/or movie, this is an excellent resource to understand why the film was so different from the book.

6 of 7 people found the following review helpful.
Blade Runner Bible
By Drew
The book is written by Paul M. Sammon in 1996, about 15 years since the original release and 4 years after the Director's Cut re-release. As he explains in the opening chapter of the book, Sammon worked for a science fiction magazine called Cinefantastique, and what began as a double-issue special on the making of the highly-anticipated film Blade Runner eventually evolved into what Sammon calls an "exhaustive archaeology" of information regarding the film.
The novel is simply an overwhelming wealth of information on all things Blade Runner; chapters focus on every minute detail such as the evolution of the story as it passed through the hands of Phillip K. Dick's novel, Hampton Fancher's screenplay, then into the hands of David Peoples and Ridley Scott. Chapter VIII is such a delight, as it meticulously works through each scene in the film, stopping along the way to add tidbits of info such as exclusive interviews with the actors. Sammon apparently also had the luxury of roaming the set of Blade Runner, and he reveals things such as the futuristic magazine covers he would see on the magazine racks and many other incredibly obscure decorations the design team threw in that are virtually impossible to see when you watch the film.
Like the other reviewers, I agree that Sammon is not perhaps the most skilled writer, and the prose of the book is very choppy and (especially in Chapter I) pretty corny. What troubles me most, though, is that Sammon has a particularly annoying habit of throwing out names without properly introducing them and explaining their role in the Blade Runner universe. Mercifully, there is a cast and crew listing printed as an appendix, which is a great help. This, and some of the other errors in the book seem quite obvious, and it leaves one wondering who was in charge of the editing.
Anyhow, the book allows great insight into the workings of the film, all gathered from what must be piles and piles of notes and cassette-recorded dialogue Sammon collected over the years to produce a rather well-organized book for fans of the film to read. I have seen the film countless times, and the new perspectives and ideas gained from this book keep the film fresh and wondrous as the years go by.

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This book from start to finish is a study in the passing of time. And it is the passing of the writer in the course of time. We who remain as readers? you and I? imagine another time and another place. We then move on to what is to come next. An artifact of a lived experience, this is a document of a life lived in the course of a decade. The writing? the process of writing? was part of the living. In some cases, the writing was the living, and made the living possible. Throughout the book are lines from W. H. Auden's oratorio poem titled "For the Time Being. As a mantra that runs through the book: The time being is all the time we have. It is the most trying time of all. We seek daily to redeem it from insignificance. Thus the attention given to this everyday life. There is little concern here for the boundaries of disciplines. An ethnography of human existence, an existence itself beyond boundaries, necessarily covers the territory of religion, philosophy, literature, the environment, visual arts, music, drama, literary criticism, sociology, and the psychology of the self. In other words, disciplinary boundaries are broken and transcended. Just as in real life, just as in autobiographical ethnography. Quinney ends this journey with a requiem, a requiem for the living and the dead. The hope is that one has lived a good life. In some ways the requiem is a reprise of what has gone before. It is a mediation of this life, a reflection and a source for the life that remains. Even as we live this moment, a requiem is playing in the background. A music that assures us that we live, and a music that makes us grateful for this life. This everyday wondrous life. For the time being is everything.

• Sales Rank: #2285376 in Books
• Brand: Brand: State University of New York Press
• Published on: 1998-08-21
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .50" w x 5.38" l, .92 pounds
• Binding: Paperback
• 222 pages

Features

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Review
The topic of this book is extremely significant, it builds and enriches ethnographic methodology, it teaches the value of journals, and provides academic materials for anthropology, sociology, the environment, religion, peace, and masculinity studies. Fascinating to read, it demonstrates the linkages between people s biographies and their current ways of living.
It covers a long journey between a father s life and his son s professional. The photographs provide rich visual sociological insights into the text. The use of literature, including poetry, narrative fiction, and biblical and other religious texts, gives a rich intellectual foundation to the writer s photographic ethnography. Martha K. Huggins, Union College
I most like the feeling this book leaves me with, of serenity, of being at peace with myself and with the world. The concerns and anxieties Quinney expresses are very much like my own, and common to academicians particularly, although the concerns and anxieties apply to humanity broadly. I think many readers, particularly so-called high achievers, would find this book hard to put down and extraordinarily comforting to read. Quinney offers us company in our stress and existential suffering and continual relief as we join him on a journey through life we share with him. Hal Pepinsky, Indiana University"

About the Author
Richard Quinney is the author of many books in sociology and social theory including The Social Reality of Crime, Providence, Social Existence, and most recently Journey to a Far Place: Autobiographical Reflections. He has been professor of sociology at several universities and a Fulbright professor in Ireland.

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[K353.Ebook] Download Ebook Envision Math Common Core: Reteaching and Practice Workbook, Grade 3, by Scott Foresman

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new soft bound paperback

• Sales Rank: #19708 in Books
• Published on: 2012
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .59" w x 8.25" l, .95 pounds
• Binding: Paperback

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24 of 24 people found the following review helpful.
Reasonable Choice for Teaching Math
By E. Tidwell
It's unfortunate that the other reviews are mostly attacks on Common Core, rather than actual reviews of the usefulness of this particular book in teaching math. The exact methods and problems used are created by textbook companies, so if you don't like them, hate on Addison-Wesley. Common Core just says what students should be able to do by the end of a grade, not HOW they must do it. (And, most states already had standards in place before Common Core, you just didn't realize it until they had a fancy name).

So I'that said, ll attempt to provide some useful information about THIS book.

Background:

We bought this book primarily because our school district uses the enVision curriculum, and I thought it would be easier for my daughter to transition from the 2nd grade in-school math curriculum to doing the 3rd math curriculum at home if we were using the familiar system. I also got a teacher's manual (on CD) and some games-or-something (also on CD), but we've never actually needed to use them because the student textbook provides decent explanation.

What's in the Book:

The curriculum for 3rd grade has 20 topics, each of which contains 4-10 lessons around a theme, such as Adding Whole Numbers (topic 2) or Solids and Shapes (topic 10) up through Dividing with 1-Digit Numbers (topic 19).

Each separate lesson begins with a short explanation of the concept the lesson is based on which explains the underlying concept, and shows how the answer to the sample problem is derived. It's usually very graphical. There are then usually 4-5 "Guided Practice" problems which are intended for the instructor to lead the child through, or discuss together. The last 2 of these are often asking the student to explain in their own words a key concept of the lesson, and perhaps a word problem. This is followed by a bunch of Independent Practice problems where the student works some equations, and then a set of word problems from which the student must derive the equation to be solved. Usually there are 1 or 2 problems that require a written explanation.

Once per topic there's usually an entire lesson devoted to problem solving. Each topic also has an assessment with 10-12 problems and then a page of reteaching problems.

I've found the lessons to be easy to use. It may, however, be useful to note that (a) I studied a lot of math myself in school; (b) I've taught 6th grade math using the "new" methodologies, so I have a sense where this is all going; and (c) I've formally studied the latest ideas on the teaching of math. So, in a nutshell, I may be coming at this from a different perspective than others.

Some noteworthy points:
* The assessments are really very short. I'd like them to have more problems. (Perhaps more are available on the teacher's manual which I have not accessed.) Also, the reteaching materials are pretty skimpy. Both of these issues could be helped by actually buying the workbook, which we did not do. We extended lessons by using Khan Academy online; this would also be a good source for any necessary reteaching if you were using this book.

* Also, spiraling curriculum is nice, but it does make it so that topics seem to jump around a lot. This wasn't a problem for my daughter, who actually liked jumping around, but might be for children who struggle more with math. But it also leads to the feeling like you're not going into depth in any one topic before moving on. I assume the idea is to build greater depth on each pass through an area, but since I don't have the 2nd or 4th grade curriculums, I can't really see the whole picture.

* It's worth noting that some lessons ask the students to make use of manipulatives which are not included with the textbook. We have made do without these or substituted toys we already own (fortunately we own a lot of blocks). There has been a fair amount of drawing of pictures, but comparatively far less than in other curriculums (IME, not as much as in Math Expressions). I'm personally a fan of diagrams and drawings to illustrate concepts, though they do take more time to complete than equations.

I could see us buying and using the 4th grade curriculum. It's not a bad curriculum at all. But after some research, I've decided we may switch to the Math in Focus version of Singapore Math for 4th grade math, because I've read it goes into more depth and requires more problem solving.

5 of 5 people found the following review helpful.
Great for helping at home.
By Faith Page
This is the ideal book for parents or tutors. The work is designed to coordinate with classwork but the pages are different than what the child will get at school. The only problem is the adult will have to find the answers unless they have access to a teacher's manual.

4 of 5 people found the following review helpful.
Using for Tutoring
By Anoushie's mom
Purchased to use with tutoring. Same book as student uses in classroom. If this is what Common Core math is like, no wonder these poor kids are so confused!

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The text uses a thematic approach to managing the risks of trade in goods and services, the protection and licensing of intellectual property, and foreign direct investment. The authors examine both private and public law issues from both an international and comparative perspective. This edition focuses on the transactional aspects of international business as well as on the legal, cultural, political and economic environment affecting managerial decision-making on a global scale.

• Sales Rank: #1540970 in Books
• Published on: 2004-05-03
• Original language: English
• Number of items: 1
• Dimensions: 1.38" h x 7.98" w x 10.28" l,
• Binding: Hardcover
• 768 pages

Review
I have found this text to be the most consistent with the organization and structure of my course. Appreciate the blending of cultural, political, and economic aspects of international.

About the Author
Richard Schaffer is a Professor Emeritus of Business Law in the Department of Finance of the Walker College of Business at Appalachian State University. He taught for twenty-five years in the areas of business law, international business transactions, and the law of international trade and investment, and founded the university's international business and business study abroad programs. Prior to academia, Professor Schaffer worked with the United Nations examining the relationship between corrupt practices, multinational corporations, and socio-economic development, and also served as rapporteur of UN working groups on international economic crime. He has consulted to business schools and industry trade groups, as well as businesses. Professor Schaffer received his J.D. from the University of Mississippi and his LL.M. from New York University.

Beverley Earle is a Professor and Chair of the Law, Taxation and Financial Planning Department, at Bentley University, Waltham, Massachusetts where she has been on the faculty since 1983. She teaches international business law at the undergraduate and graduate level as well as courses on the legal environment of business and law and society. She graduated with a B.A. from the University of Pennsylvania and a J.D. from Boston University and is admitted to practice in Massachusetts. Her law review articles have been published by universities including U.C. Berkeley, Northwestern, Cornell and University of Iowa (forthcoming) to mention a few. She has received numerous awards including the Academy of Legal Studies in Business Holmes-Cardozo award as well as Bentley's Scholar of the Year, Innovation in Teaching Award and Outstanding Scholarly Contribution Award. She is past President of the International Section of the ALSB. Since 2006, she has been an appointee to the Massachusetts Board of Bar Overseers Hearing Committee on Attorney Discipline.

Filiberto Agusti is a partner in the international law firm of Steptoe & Johnson, LLP, where he has practiced law since 1978. He represents governments, multinational corporations, manufacturers, and investors in international arbitrations, lawsuits between multinational enterprises, and transactional negotiations. His work involves disputes and negotiations over international infrastructure, power generation facilities, cross-border corporate acquisitions, international joint ventures, and bankruptcy reorganizations. Mr. Agusti has authored articles for the Harvard Law Review and other legal publications, is a frequent speaker at professional seminars around the world, and regularly comments on legal issues on camera for Univision, Telemundo, and CNN en Espanol. Mr. Agusti was a law clerk to the U.S. Court of Appeals for the Second Circuit, and received his law degree from Harvard Law School, where he was a senior editor of the Harvard Law Review.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This textbook is very well written.
By Jenny W.
I purchased this text for a course, and I actually enjoyed it. It is very easy to follow and not weirdly verbose. I don't keep all of my textbooks, but I will be keeping this one.

0 of 0 people found the following review helpful.
Don't expect it to read like a novel and you won't be disappointed
By Michael Zimmerman
It's a book about international business law. Don't expect it to read like a novel and you won't be disappointed.

1 of 1 people found the following review helpful.
Very well written and easy to understand
By Denise D. Kuenzel
Despite that the book is very expensive and a required text book for college, I think it is an excellent book. It is informative and easy to read. The author made the information interesting and kept me engaged. If I didn't need the money (from reselling it), I would keep it as a reference guide.

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Performer's Edition's publication of Johann Sebastian Bach's 15 Inventions and Sinfonias for keyboard (BWV 772-801) contains a new edition of these famous pieces. This edition is based on original Bach manuscripts with original ornamentation and no modern dynamic markings. Performer's Editions are designed for easy reading and performance with minimal extraneous markings. All publications feature a clean, modern look that is easier to read while performing. The layout is designed to eliminate page turns during a piece, while maintaining a readable design.

• Sales Rank: #2025533 in Books
• Published on: 2008-12-31
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .14" w x 8.00" l, .31 pounds
• Binding: Paperback
• 62 pages

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